I met Flip One after he commented on a couple of my graffiti posts online. He invited me to watch him paint a wall in Taytay, Rizal. He wanted to do an homage to Wild Style, but written in baybayin, the precolonial Filipino alphabet.
This is the video of the day we met and shot Wild Style in Rizal. 8 minutes 42 seconds:
I met Flip One after he commented on a couple of my graffiti posts online. He invited me to watch him do a wall in Rizal, but before we headed there, he took me to Buenviaje Street, Marikina, where there was a really long wall covered with great graffiti. I would never have seen this if he hadn’t brought me there, because I am very rarely in Marikina.
video length: 1 minute 19 seconds | YouTube link | Vimeo link
I first shot the graffiti on the walls surrounding this basketball court one night last year, in September 2015.
When I passed by again in May, I saw that some of the pieces have been changed, so I made it a point to go back and shoot it. Also, it looks more vibrant when photographed at daytime and my 2015 photograph of it was made at night. During the day, it looks like this:
Barangka Drive graffiti panorama, Mandaluyong City, Philippines
This section on the upper right of the wall impressed me a lot.
Please CLICK the thumbnails to view close up photos of the individual pieces:
Watch a two minute video of me shooting the two parking lots:
They were both in parking lots along Quezon Avenue. As I mentioned in the video, the first piece was difficult to climb and access due to the rocky obstacles in front of it. So I don’t have close up shots of the individual pieces.
Quezon Avenue parking lot graffiti, Quezon City, Metro Manila, Philippines
These were outside:
This are some wide angle shots of the graffiti in the second parking lot:
Click the thumbnails below to view details of each piece:
No dispatch is complete without an addition to my collection of Philippine graffiti:
That one was shot in Quezon City, on the corner of Roces and Tuason Streets.
Zoomed out view:
This one was shot along Hemady Street in New Manila.
This one of a flying horse was shot in San Juan. The 3D perspective is really good.
Animals hanging out on the street:
You wouldn’t want to mess with this one in a cockfight:
I spotted a bunch of monkeys randomly hanging out by the side of the highway outside Subic in January. I fired off some shots, but none were any good as I was too far and could not reverse. I went back to Subic this April and was able to get a few good shots.
As it’s easier to create manipulated images with software and post them online, more and more people who aren’t used to internet staples like memes and satire websites encounter such images for the first time and take them as gospel truth, get enraged, or scared, and reproduce their misinterpretation elsewhere.
I like how this article explains that manipulated/ processed/ staged images aren’t necessarily “fake”, but subject to different meanings depending on the context of the shoot, and anyway, aren’t all photos “staged” somehow when you choose what to exclude out of the frame?
Despite the ultramodern steel and glass structures multiplying by the hundreds every year, Shanghai still has a lot of vendors that ply their crafts and wares on the street.
The key duplicator stall in my A Shanghai Minute section below wouldn’t look out of place at all where I live in the Philippines.
Here are two short video clips of such old school tradesmen:
Roadside bicycle repair: 11 seconds
Rice Krispie maker: 13 seconds
A Shanghai minute
The majority of the tourists I met used their mobile phones to take photos. Death knell for the camera industry?
Products of China
China is not currently known as the factory of the world for nothing. Here are some strange Made in China products that you won’t find anywhere else. Like this mini electric fan. It comes in both lightning and micro USB ports and can plug in your iOS or Android devices.
Oba Mao T-shirt (Obama + Mao Zedong)
Scarlett Johansson hawking a Huawei P9. I remember when Huawei used to be only known for making cheap OEM telecom gear.
USB Alcohol Tester
minion figurines dressed as Spiderman and Batman
5 photos – Click thumbnails to zoom in
Most of the scooters I saw in Shanghai of the electric variety. They’re either e-bikes or full sized scooters fitted with 48v batteries. Made the streets much quieter than a typical street in Taipei City for example, where most people ride petrol based scooters.
I’ve scuba dived with Arizona Dive Shop in Subic Bay a few times already. I first dove with them in 2015 and went on day trips to dive with them in January and April 2016.The area where you will board your boat is a small distance away from the hotel, so there’s a little moving platform that takes you to the “floating bar” where the boat is parked near.
Arizona Dive Shop, Subic, Philippines
Here are some clips of the dive sites I went to in January and April:
San Quentin: During the Spanish–American War in 1898, the Spanish scuttled their San Quintín (now often referred to as the San Quentin) in the hope of blocking the passage between Grande Island and Chiquita Islands near the mouth of Subic Bay.
On the ride home in January, I spotted some monkeys randomly hanging out on the side of the highway in Subic. I wasn’t able to get good shots because I had already driven past them and just hurriedly snapped a few out the window. It was also inconvenient to reverse the car on the highway.
I was prepared for them in April though, watching out for them as I left the beach area.
video runtime: 12 seconds
Click to enlarge:
this enterprising monkey was eating chips
They didn’t seem to mind being photographed. Although one eventually hissed at me and I took it as my cue to leave.
video runtime: 4 secs.
There was one enterprising fellow who snacked on chips while the rest of his buddies made do with chewing leaves.
video runtime: 8 secs.
this enterprising monkey was eating chips
Other photos from the trip. Click to enlarge:
Other clips from the trip:
first video runtime 13 seconds | second video runtime 20 seconds
According to Google Maps, Subic is 128 kilometers away from me.
Sinulog is an annual cultural/ religious festival held in Cebu, Philippines. It’s held in honor of Santo Nino, the baby Jesus. (more on Wikipedia)
There were dancers and drummers. Click to watch the 2 second video clips:
There were a lot of floats and a parade of Catholic Church related historical memorabilia:
There was a also parade of assorted characters including the Grim Reaper warning against global warming and drugs, huge Pacquiao and Mayweather effigies, and the cast of Star Wars and the baby Jesus. (The festival happened around the time The Force Awakens was showing.)
giant Pacquiao and Mayweather effigies
Grim Reaper holding a scythe that says Global Warming and a shield admonishing people to say no to drugs.
the baby Jesus, Princess Leia, and a Star Wars jet
Click on the photos below to enlarge:
a giant woman
giant Epson printer float
According to Google Maps, Cebu is 847 kilometers away by car from me. I took a plane there.
I try to make DIY chocolate covered potato chips in this 5 minute 14 second video.
If you don’t have a GPS module for your camera, and it’s not connected to the Internet in any way, you can still easily add location data to the photo’s metadata.You can easily tag your photos manually with whatever software that allows location tagging, but what if you shot a lot of photos? Like when you travel?I show you guys in this 11 minute 41 second video how to geotag automatically and easily with GPS4cam. (requires a smartphone – iOS or Android)
I used be awed by crazy ideas and say “I wish I thought of that” or “Why didn’t I think of that?”. Then slowly sometime in my mid 20s my mindset shifted to, “I thought of that but it’s never gonna work.”
I think one of the invisible shifts to adulthood happens when upon hearing a seemingly outlandish business idea, one no longer asks “Why didn’t I think of that?!” in wonder anymore, but instead mutters, “That’s a stupid idea, how does that work?”. From there, it’s only a short hop, skip, and jump away to “That would never work, now get off my lawn!”
I briefly reached that point for a short while a few years ago. But I made an active decision to reverse course before I fully morphed into a know-it-all griper.
I know it’s hard. When you’re as old as I am, you have had so much experience and have seen so much failure, you get good at recognizing certain behaviors, practices, or markets as difficult, pointless, and disadvantageous. That’s fine because such experience-based heuristics (whether firsthand or observed) are important. Otherwise everything new you face will mean you starting from zero each time, calculating whether it’s worth entering or not.
I shot this in 2008. When you’ve turned into a “That’s never gonna work” person, you end up like that packet on the floor.
However, that doesn’t mean we should wall ourselves off from all seemingly silly or stupid ideas. Innovation happens when disparate ideas converge, and often one or most of these ideas are seen as silly or too difficult with little upside to even bother trying. We may not be interested in personally pursuing these opportunities or methods. Oftentimes, we aren’t wrong in recognizing that these may not work where we are, at this particular moment in time. But it’s still good to be aware of what else is happening outside our bubble, what is succeeding in markets elsewhere, because it helps bring some freshness into whatever we are working on. We can adapt bits of those that may work in our milieu, or combine different ones. And even if fully 100% of them are inapplicable where we are, it keeps us from turning into a cranky old “that’s never gonna work” coot by injecting some whimsy into our lives at least.I’d like to share with you some uncommon business ideas I’ve encountered the past few months:
Chat app stickers, bad “cluttered” design, and feature cramming
This article contrasts how one of South Korea’s top mobile messaging app would look to people raised on American style design language. I’m not American, but most of the software and websites I frequent are, and I’m used to the spare, minimalist ethos mentioned in the article.
When I lived in Taiwan briefly in the mid 00s, I could not handle seeing how their typical websites looked like 90s Geocities pages, and these were supposedly big, commercial, top websites. Remember, this was already during the web 2.0 neat-and-clean design phase of the Internet. I remembered getting dizzy looking at the home pages of their popular blogging platforms, and then slinking back to my beloved Blogger, whose simple orange and white design didn’t try to scream at my eyes with a thousand different stimuli. I’m telling you, Xanga looked liked a clean, minimalist standard-bearer compared to those.
I was aware that this crazy style is also how things are done in Japanese and South Korean websites, because I’ve seen Taiwanese view sites from those countries too. I assumed maybe it’s just because the CJK countries had non-Roman systems of writing, so perhaps that’s how they adapted to displaying text and information online. I also attributed the high rate of eyeglass wearing children in Taiwan to this crammed-with-words website design.
For example, see these two screenshots below. It makes me feel I don’t know where to look first.
These 2015 versions are actually already less cluttered from when I first encountered them in the mid 00s.
Taiwanese Post Office website (both Nov. 2015 screenshots)
Japanese Post Office website
Compared to what I’m used to seeing:
Philippine Post Office website
USA Post Office website (both Nov. 2015 screenshots)
I finally learned the real reason from this article, and it’s not a conspiracy by optical shops and eyeglass manufacturers to create generations of nearsighted East Asian children after all. It’s because they had very fast Internet early on that there was no need to “save” bandwidth by limiting what’s onscreen.
“…American mobile design is fetishistically minimalist. Silicon Valley applauds itself for good taste in this regard, but this aesthetic has sprung up partly in response to a deficiency: Americans have learned to strip out bandwidth-guzzling elements because they slow down loading times. Korean designers, lacking such bandwidth restraints, can stuff their apps full of all the information and widgets they like. …
This trans-Pacific gap in bandwidth is so pronounced that Korean developers often have to strip down their software if they want to take it stateside.” (source)
Another software the article references is Band, a Korean mobile messaging app that has so many features that Koreans are used to using within one app, but confused Americans.
“Even when Korean firms don’t encounter technological issues, the design gulch can confound their attempts to lure American customers. In 2014, Doyon Kim was tasked with taking Band, a South Korean mobile-messaging app, to Silicon Valley. Band lets friends chat, plan outings, share video files, split bills and even conduct informal polls about where to go to dinner. Doyon Kim says that the sheer number of Band’s functions confused users who were not accustomed to performing all of those tasks within a single app.
“As a newcomer in the United States, products have to have one strong feature to market,” he said. “Band had so many features and functionalities, that when people saw the product, they didn’t really get it.” (source)
Indeed, isn’t the cardinal rule of building software or web platforms American-style is to focus on one or two core capabilities and then branch out from there? But even when branching out, an app is supposed to have one featured strength, not be everything but the kitchen sink.
The thing in this article that struck me the most was the $1 to $2 virtual sticker packs that Koreans purchase for Line and KakaoTalk. I first read about those in some other article about Line, but I thought that was just hype because I could not conceive of anyone willingly parting with their money for a virtual good that does not even serve any purpose.
It’s not even like virtual gold or virtual lives/ power-ups in video games. These are just stickers that do nothing and look horrifying:
Line (messaging app) mascot
I live in a country where many middle class employed people only have a daily meal budget of $6 (and even more have meal budgets of $0 to $2), so I really could not fathom anyone paying such amounts for imaginary stickers. Even moneyed people I know here who have a lot of disposable income for gadgets, fashion, or Steam games, have never purchased sticker packs and thought that was a pointless waste of money.
But apparently they’re a thing. I don’t know if the tough life here in a third world tropical paradise suck the whimsy out of us, or we just have a scarcity mindset, or American influenced design appetites evoke a visceral disgust in me at such cutesy icons, garish color schemes and cluttered feature panes, but I just couldn’t wrap my head around this.
Look at the difference between the crazed colors of the first two screenshots below compared to WhatsApp.
Nov. 2015 screenshot of the Kakao website
Nov. 2015 screenshot of the Line website
Nov. 2015 screenshot of the What’s App website
Now that your eyes are now open to this possibility, talented designers, go jump in this market by creating your own sticker packs! Hawk them in one of those all-in-one mobile messaging slash market slash ticketmaster slash file sharing slash polling apps.
This is one of my favorite articles of 2015. I love reading about two super different things coming together by chance. And what can be more different than how some random Chinese cornered the market on sexy underwear in an obscure corner of Egypt?
First came the sexy undies.
The lingerie vendor who pioneered the small Chinese community in Asyut, Egypt, landed in Egypt by chance. He chose that place on a map, thinking it’s the most populous city in Upper Egypt and he’d do better than Cairo, since he’ll be the first Chinese guy there. He wasn’t even right, it is Luxor.
He landed with pearls, neckties, and underwear, not because of any market research but because those were the only things that fit his suitcase. The first two things didn’t sell well. Apparently Egyptians don’t care for pearls or wear neckties over their traditional clothing. But lingerie was a huge hit!
Soon, he started importing more, and even set up factories there. Many of the lingerie sellers are concentrated in Upper Egypt, the most conservative part of that country.
Alot of these enterprising Chinese lingerie dealers show up not knowing the language, and when the writer visited the home of one of the vendors, he didn’t see any Chinese-Arabic dictionary, phrasebook, or language textbook. The sellers may barely know Arabic or English, but they do know the most important phrases for doing business in their field, “I have this in a wider size.” and “beautiful bride”.
They just showed up, tried to see what works, and then did it. They also gained their buyers’ trust by not meddling in their affairs or having all these preconceived notions about their religion.
Then, spotting an opportunity and seizing it.
The pioneers I mentioned above are also the ones who established the first plastic bottle recycling facility in Upper Egypt.
“In Cairo and northern Egypt, the network of Chinese lingerie importers and producers quickly grew, and eventually Lin and Chen rented a storefront in Asyut. They invited a relative and a friend to open the two other shops in town. While Lin and Chen were building their small lingerie empire, they noticed that there was a lot of garbage sitting in open piles around Asyut. They were not the first people to make this observation. But they were the first to respond by importing a polyethylene-terephthalate bottle-flake washing production line, which is manufactured in Jiangsu province, and which allows an entrepreneur to grind up plastic bottles, wash and dry the regrind at high temperatures, and sell it as recycled material.” (source) (emphasis mine)
“Here in Egypt, home to eighty-five million people, where Western development workers and billions of dollars of foreign aid have poured in for decades, the first plastic-recycling center in the south is a thriving business that employs thirty people, reimburses others for reducing landfill waste, and earns a significant profit. So why was it established by two lingerie-fuelled Chinese migrants, one of them illiterate and the other with a fifth-grade education?” (source) (emphasis mine)
The article also contrasts the success of the lingerie dealers with investors and businessmen who tried to create industrial/ factory zones in Egypt because they were unaware of how things on the ground work. The zone planners were thinking from a distant, top down angle, and failed to consider local features like women only working half the day, so the factories find it hard to be profitable.
Most importantly, the biggest entrepreneurial lesson I learned here is that the successful ones don’t seek to meddle or impose their values or “change” the system, but see the market and their operating milieu for what it is, and adapt to it. From there, just by their presence as “others”, they have already made changes. And their profits in fact allow them to reinvest into bigger ventures like the full stack plastic recycling plant.
Even before Instagram “monetized” by putting ads on users’ feeds, people have been monetizing their own Instagram accounts by putting photos of things related to their business- whether the actual product, or lifestyle photos depicting the usage of said product.
The accepted best practice of selling through Instagram is not just posting the photos of your products on your account, but to use it as a brand building exercise with seductive lifestyle photos, one or two pictures of the actual merchandise, some other helpful content that add “value” to your readers, and then hopefully they will be attracted to your brand and go to your website, an e commerce site, or store to buy your product.
There’s a burgeoning cottage industry of Instagram sellers in my country now, and the way they do things is a reversal of these supposed “best practices”.
I remember when Multiply still existed, I couldn’t figure out why so many Filipinos would use it to put up online stores when it’s so unsuited for ecommerce. I could only chalk it up to masochism.
It’s similar to the way I feel about selling on Instagram. Most posts are ephemeral, there’s no rating/ feedback mechanism, no searching through archives, there’s no organized method of presenting your wares, let alone an index, there’s no check out method, inquiries are done through the phone (captioned on the picture) because most sellers note that they have turned off notifications.
Ijust learned about this method of selling recently. I buy and sell things online, but on sites made for selling. My friend was the one who told me about this and I couldn’t believe that there’s this hidden ecosystem of Instagram players.
When she explained to me how it works, I could not wrap my head around it. Why would anyone choose to buy and sell on this platform, in this incredibly roundabout manner, when there are other robust e commerce sites now in the Philippines? At least back in 2007 when selling on Multiply was all the rage, we could say that there weren’t as many online selling platforms then.
She tackled each of my questions one by one.
For feedbacks/ ratings, the seller requests the buyers to take photos of them using the product, and then tag the seller. The seller will thenrepost it, showing a positive feedback. (Reposting/ “regramming” apps– yet another mini cottage industry spawned by Instagram.)
I asked, but there’s no easy way of seeing the aggregate positive/ negative feedback on each seller the way ratings are posted beside usernames on eBay. She said, well, sometimes sellers take a combined photo of a bunch of their shipping waybills and post that. I’m like, no… that doesn’t count.
She also added that the follower count also is a signifier of buyer confidence. I rebutted that follower counts can be easily bought. You can have hundreds of thousands of bot followers for $5!
And she said, well it doesn’t bother buyers like her, and neither do they bother apparently thousands of others. I had nothing to say to that. If the market accepts it, and people sell and buy, as inefficient as I may think it is, who am I to say “that’s not the right way!”
Ifound out from her that most of these Instagram sellers are private. You have to follow them, and you start seeing their wares after they accept you. I could understand the desire for privacy, what with the shakedown-happy government here, but how does that aid your buyers in discovery?
a seller whose private account has 50,000 followers (November 2015 screenshot)
It turns out that to get around the problem of discovery, the sellers came up with the concept of #S4S or Shoutouts for Shoutouts. In exchange for Store A tagging Store B and posting a photo of Store B’s wares, Store B will tag Store A’s account name, and Store B will also post a photo of Store A’s merch on the former’s Instagram account.
The account marked in red is Store A. Green is Store B. In these pictures, you can see Store A tagged B in a “shoutout”. The product in the photo is also from Store B. Store B will do the same with Store A.
These Instagram sellers will also only accept these quid pro quo “shoutout” arrangements from sellers with a minimum number of followers (say a few thousands). Which to me doesn’t make much sense, because you could buy followers so easily, but that’s how they roll.
Note all this is temporary, the Shoutout for Shoutouts last for around a day, then the seller will delete the shoutouts and corresponding advertisements for the other Instagram accounts and then the cycle begins anew a day after.
In this photo, the products inside the green marker are ads for other stores that Store A “shouted out”. Store A’s own products are the ones marked in red.
To me, this sounds tedious and cumbersome. But it apparently works for that market. And they’re making money.
This was an eye opener. To make money, I learned I have to listen and eat my whatever “best social media practices” theory I have previously learned. I can keep asking why won’t they use the other just as easy to use online selling platforms based in the Philippines, but if what they’re doing makes money, if Instagram is where their buyers prefer to scroll and browse, even if the process sounds inefficient and convoluted to me, who’s wrong and who’s right?
This applies for every other business practice out there too.
There are theories and case studies and papers on what people say is the “correct” practice, and there’s what actually works. And what works is not imposing what you feel is “right” based on some “I know better” notion (once again, refer to article the lingerie sellers in section #2 and how they managed to gain a foothold and customers’ trust in the most unlikely place.)
Japanese cuddle cafes
I live in the third world where people sell their bodies to survive- whether in the flesh trade, the “hospitality” trade (girls get commissions from the bar when you buy them drinks), manual labor, paid for peanuts freelance outsourcing work so the first world can live a four hour workweek lifestyle and never have to encounter dick pics and beheading videos in their social media feeds.
The “love industry” staples mentioned in this link are nothing new to me.
(the segment on the cuddling starts at 5:53)
I’ve met both customers and service providers. However, through an informal poll of random people I asked, not a single person has ever thought that cuddle cafes are a good value for money, are something that would be viable as a business, or forget feasibility, something that would even catch on short term!
I thought I had heard of almost every permutation of the flesh trade, and through the years I have learned to not judge because it’s not my place to say what’s wrong. It makes money, and unless I have some brighter idea for people to feed themselves (now, not 10 years away when people are dead), I have no right to impose whatever Western liberal standard of “right or wrong” I learned or read.
When I put those tainted prejudices aside, I see the bigger picture and can get the sense of what sells, what doesn’t sell, why certain services sell, what is “attractive” to what markets, etc.
However, cuddle cafes were never something that I’d thought would make inroads in this industry. Either this is a flash in the pan, or it could be a harbinger of future trends to come. Maybe this will only be a hit in certain cosmopolitan pockets where there’s a lot of lonely singles. Who knows. But hey, it’s still good to learn something new each day. Now go hug someone.
I almost thought November will pass without a good graffiti capture. I was mistaken.
The photo above was shot in 9 de Pebrero Street.
The one below was shot in the area being widened in Santolan. It was on the wall of a demolished structure.
zoomed out version of where I shot the graffiti above
From the Web
I love this essay on Doug Menuez’s Fearless Genius photo series about the early days of Silicon Valley.
I also like that Doug Menuez is trying to use Silicon Valley’s own tools to bring his photo project to life:
“I am trying to create, trying to take this record I have and make it a compelling educational or entertainment body of work. We’re trying to make a new model?—?we have a core story and then a documentary around it, a book and an exhibit. We’re combining video and sound around the stills, but all of these expressions of the core story get distributed to different channels and different revenue streams.”
photo of great typography on a porridge + tofu street cart and a wall.
Stamp of the Day:
stamp commemorating the Philippines hosting APEC a couple of weeks ago and giving us a very long weekend.
1. I show you guys how to send texts (SMS using MightyText, What’s App and Viber using your computer this video. the latter two work for both iOS and Android, the first only for Android.
3 minutes 41 seconds
2. In this video, I give my views on the anti piracy ad that airs before movies in the Philippines, bullet shakedowns in the airport, and relationship advice (related to martial law).
12 minutes 51 seconds
Copyright *|CURRENT_YEAR|* *|LIST:COMPANY|*, All rights reserved.
Thanks for agreeing to give me your email addresses. I’ve been polluting the internet with my varied writings, photographs, and videos for a decade now, but surprisingly have never sent out e-mail blasts: equating email with spam, bills, work, and heartbreak.
When I started following blogs online, we used Google Reader, or the non-algorithmically censored “feed” of Livejournal, or “blogrolls” in Blogger’s sidebar. I remember if you used Typepad you were considered intellectual, or cutting edge if Movable Type. And you used Feedburner to make your post look neat in RSS readers.
Now people post stuff on social media, most of which disappear into the ether when Facebook’s omniscient algorithm decides not to display your post onto some people’s feeds. Or it gets lost in the deluge of Twitter updates. And these ephemeral modern services don’t even have proper archive searching or indexing for older posts! You snooze, you lose.. because you won’t be able to find that Instagram picture you know you saw a few months ago..
I started this newsletter because unbeknownst to me, e-mail newsletters have been making a comeback. Apparently the modern way of blogging isn’t just “blogging” on your website, even Tumblr isn’t “new” no more. The kids now be sending out email dispatches. Like it was 1896 and you’re sitting pining for your betrothed to send you a letter from the trenches of the Philippine-American War.
I also want to have a reason for constantly creating new work, even if it’s just superficial short term weekly/ monthly projects. The premise of these monthly (or bi-monthly if I’m feeling up to it) dispatches is that I will send out one fresh art work each newsletter. Not just recycle a photo from 2009.
And if it’s a new photo that is part of an existing long term series I’m shooting, it won’t count. I will mention that I’ve made new additions to my existing long term series, but that will not exempt that month’s dispatch from having a fresh new piece (whether video/ photo).
I may still change this, but for now, I plan to have four permanent sections in every newsletter:
Always Fresh – whatever new thing I made for that month/ fortnight
From the web – an interesting link I found online and would like to share
P.S. I know the first iterations of everything, like iPhone 1 , or the first genetically cloned sheep, are usually nothing to write home about. But if you find my succeeding newsletters improved and enjoy it, I’d be very grateful if you would forward them to your friends and encourage them to subscribe too. Or click “like” on my Facebook page.So without further ado, here it is!
I shot three different walls of great graffiti pieces here in the Philippines on Oct. 23 and 24, 2015.
I shot three different walls of great graffiti pieces here in the Philippines on Oct. 23 and 24, 2015. 9 years. That’s how many years have passed since I shot my first photo of graffiti. From then on, I’ve tried to document every piece of graffiti and street art I encounter in my daily life.
I didn’t get to shoot a lot of good street art from the Philippines when I first started documenting them in 2006. Most of my early collection came from Taiwan. Around 2008 though, I noticed that there was an increasing number of good pieces in the Philippines. Before that time, it was mostly tags of names, political rants, and curses.
2007, Quezon City, Philippines
(This is a photo-heavy post, please be patient and wait for them to load. It will be worth it.)
Last week, I drove past Kalentong St. in Manila, and I saw a very long wall of great graffiti encompassing two streets. I was in a hurry at the time and didn’t bring my camera with me, so I went back a few days after to shoot it.
wall #1 along Kalentong St., Manila, Philippines
wall #2 (around the corner of the first wall above along Kalentong St., Manila, Philippines)
detailed view of wall #1
the corner leading to the next set
detailed view of wall #2
The next day, I had my camera with me because my friend told me that this wall on Ortigas Ave. corner Santolan Street I photographed back in 2008 had new street art on it.
Ortigas Ave. corner Santolan St. back in 2008
Ortigas Ave. corner Santolan St. back in 2008
Ortigas Ave. corner Santolan St. as of Oct. 2015
As I was going home after having photographed on Ortigas Ave., I saw this great piece on a long trailer on Doña Hemady Street (near the corner of Gilmore St.). This was a bit tough to shoot because I had to stand in the middle of the street for everything to fit in my camera.
graffiti on a trailer on Hemady St.
profile view of the graffiti on Hemady St
close- up of the piece on the cart.
I love that I was able to shoot three great sets in two consecutive days. I love it when I see Philippine street art leveling up in just a few short years.